社会动员:延安时期革命话语下的“草根文化”  

Social Mobilization:“Grassroots Culture”under Revolutionary Discourseduring the Yan an Period

作　　者：胡静 李建军 HU Jing;LI Jianjun(School of Marxism,Shandong University,Weihai 264209,Shandong,China)

机构地区：[1]山东大学马克思主义学院,山东威海264209

出　　处：《南昌师范学院学报》2024年第5期66-72,共7页Journal of Nanchang Normal University

基　　金：研究阐释党的十九届六中全会精神国家社科基金重大项目“新时代推进马克思主义学习型政党建设研究”(22ZDA036)。

摘　　要：中国共产党引导大众文化景观的变迁服务于社会动员的革命任务,将延安时期的戏曲、新秧歌剧、新型歌剧等“草根文化”的表现形式贯穿到战争动员、生产动员、革命动员的政策路线中,既形塑了大众价值观念与审美趣味,又承载着组织民众、动员民众、团结民众、教育民众的社会功能。“草根文化”与“社会动员”能否发生关联,在于中国共产党与普通民众的情感链接。以情感基础、文化符号的认同而形成的共情及共情的达成,激励着广大人民的革命斗志和生产建设热情,也增强了党的自身建设和执政能力。这一文化现象,弥合了不同群体之间的鸿沟,充分发挥着民间文化的影响力。The Communist Party of China guided the transformation of popular culture to support revolutionary social mobilization.During the Yan an period,forms of“grassroots culture”—including traditional opera,new yangge plays,and modern operas—were integrated into policies aimed at mobilizing for war,production,and revolution.This approach shaped public values and aesthetics while fulfilling critical social functions,such as organizing,mobilizing,uniting,and educating the people.The link between“grassroots culture”and“social mobilization”relied on the emotional bond between the CPC and ordinary citizens.The empathy generated through emotional connections and shared cultural symbols fueled revolutionary spirit and enthusiasm for production and development,while also strengthening the Party s growth and governance.This cultural phenomenon bridged social divides and maximized the impact of folk culture.

关 键 词：延安时期 草根文化 社会动员 

分 类 号：D26[政治法律—政治学] J8[政治法律—中共党史]