敦煌色彩美学在当代服装设计中的传承与变革  

Dunhuang Color Aesthetics in the Inheritance and Transformation of Contemporary Fashion Design

作　　者：龙奕池 Long Yichi(Southwest University)

机构地区：[1]西南大学

出　　处：《色彩》2024年第9期19-21,共3页Color

摘　　要：敦煌色彩美学,蕴含着深厚的历史文化底蕴,其独特的色彩体系与象征意义,为当代服装设计提供了丰富的灵感源泉。为探寻服装设计的变革之道和敦煌色彩的传承之路,本文将从色彩体系、象征意义及表现手法三方面切入,详细阐述敦煌色彩的美学特征。在此基础上,文章提出了一套完整、可行的敦煌色彩美学应用策略。愿上述策略能为当代服装设计注入文化内涵与创新活力,促进敦煌色彩美学在现代语境下创新发展,并最终推动传统美学与现代时尚交融共生。Dunhuang's color aesthetics,rich in historical and cultural depth,offers a unique color system and symbolism that inspire contemporary fashion design.This article delves into Dunhuang's color aesthetics from three aspects:color system,symbolic meaning,and expression techniques,detailing its characteristics.It proposes a comprehensive and feasible strategy for applying Dunhuang color aesthetics in fashion design.The aim is to infuse modern fashion with cultural depth and innovation,promote the evolution of Dunhuang color aesthetics in a modern context,and foster the integration of traditional aesthetics with modern fashion.

关 键 词：敦煌色彩美学 服装设计 传承与变革 

分 类 号：TS941.2[轻工技术与工程—服装设计与工程]