时间的厚度——森·山方与他的粉彩画  

The Thickness of Time——Sam Szafran and His Pastel Paintings

作　　者：王慧玮 Wang Huiwei(China Academy of Art,Hangzhou Zhejiang)

机构地区：[1]中国美术学院,浙江杭州

出　　处：《色彩》2024年第9期48-50,共3页Color

摘　　要：本论文探讨法国艺术家森·山方在粉彩画领域的独特贡献。在跨越六十余年的艺术生涯中,他的作品以细腻技法和独特视角著称,不仅突破传统绘画的光学范式,更借鉴摄影和电影的视觉语言,创造出多视点和时间性的艺术表现。森·山方在色彩运用上充满实验性,通过精细处理色彩与光影,赋予画面深刻的层次感与空间感。尽管粉彩画在现代艺术中常被视为过时媒介,森·山方却以革新之姿注入新的生命力,使其成为当代重要艺术形式。This paper explores the unique contributions of French artist Sam Szafran in the field of pastel painting.Spanning over sixty years,his artistic career is distinguished by meticulous technique and unique perspective.Szafran not only breaks the optical conventions of traditional painting but also draws on the visual language of photography and cinema to create multi-viewpoint and temporal artistic expressions.His experimental use of color,along with meticulous handling of color and light,endows his work with profound depth and spatiality.Despite pastel being often considered an outdated medium in modern art,Szafran's innovative approach breathes new life into it,making it a significant contemporary art form.

关 键 词：色粉画 色彩构成 时间 境域 真实 

分 类 号：J216[艺术—美术]