黑泽明电影《梦》的色彩心理学分析  

Color Psychology Analysis of Akira Kurosawa's Film"Dreams"

作　　者：张宇泽 仇朝樾 张献民[2] Zhang Yuze;Qiu Chaoyue;Zhang Xianmin(China Academy of Art;Beijing Film Academy)

机构地区：[1]中国美术学院 [2]北京电影学院

出　　处：《色彩》2024年第9期51-54,共4页Color

摘　　要：《梦》是世界著名导演黑泽明晚年的意识形态集大成之作,具有极高的美学价值和深刻的内涵。本文从色彩心理学的相关理论出发,对《梦》中具体八个梦境的色彩运用逐一作了细致的分析,讨论色彩在片中的功能,并得出了掌握色彩心理学对电影创作具有重要意义的结论。"Dreams"is the culmination of the ideology of world-renowned director Akira Kurosawa in his later years,with high aesthetic value and profound connotations.Starting from the relevant theories of color psychology,this article provides a detailed analysis of the use of colors in eight specific dreams in"Dream",discusses the function of colors in the film,and concludes that mastering color psychology is of great significance for film creation.

关 键 词：黑泽明 《梦》 色彩心理学 电影色彩 象征 

分 类 号：J906[艺术—电影电视艺术]