敦煌石窟建筑空间艺术特征研究评述  

Research Review on the Spatial Artistic Characteristics of Dunhuang Grottoes

作　　者：王雪浪 张萧 Wang Xuelang;Zhang Xiao

机构地区：[1]兰州理工大学设计艺术学院

出　　处：《城市建筑》2024年第23期177-181,共5页Urbanism and Architecture

基　　金：甘肃省科技重点计划项目(21YF5FA085)。

摘　　要：近百年来敦煌石窟建筑空间艺术研究成果显著,然而对研究现状的系统化勾勒尚显不足。文章从建筑美学角度出发,梳理20世纪40年代以来敦煌石窟建筑空间艺术的研究成果。通过功能、空间类型及窟前建筑分析,结合环境设计理论,探讨石窟内外空间关系,揭示其建造背景、技艺、艺术特色及审美价值。由此得出,敦煌石窟建筑空间设计既遵循建筑学原则,又与中国传统建筑空间布局相似,展现独特艺术特色。这种布局符合观察习惯与审美偏好,有助于推动敦煌美学发展,为现代建筑美学提供启示。In recent decades,significant progress has been made in studying the architectural space art of Dunhuang Mogao Grottoes,yet a systematic outline of the current research status is still lacking.This paper reviews the achievements from the 1940s in the architectural space art of Dunhuang grottoes from the perspective of architectural aesthetics.By analyzing the functionality,spatial types,and structures in front of the caves,and integrating environmental design theories,it examines the relationship between the interior and exterior spaces of the grottoes,revealing their construction background,techniques,artistic characteristics,and aesthetic values.It is found that the architectural spatial design of Dunhuang grottoes not only adhere to the architectural principles,but also align with the spatial layout of Chinese traditional architecture,exhibiting unique artistic features.This layout conforms to the observation habits and aesthetic preferences,promotes the development of Dunhuang aesthetics and offers insights for modern architectural aesthetics.

关 键 词：敦煌石窟 建筑艺术 内外空间 第四度空间 

分 类 号：TU252[建筑科学—建筑设计及理论]