《梦境》:科幻电影的伦理叙事、身体隐喻与共同体美学  

Wonderland:Ethical Narrative,Body Metaphors,and Community Aesthetics in Science Fiction Films

作　　者：张菀芸 王英杰 Zhang Wanyun;Wang Yingjie(The Catholic University of Korea,Republic of Korea,17895;Cheongju University,Republic of Korea,28503)

机构地区：[1]加图立大学,韩国17895 [2]清州大学,韩国28503

出　　处：《新疆艺术学院学报》2024年第4期72-78,共7页Journal of Xinjiang Arts University

摘　　要：科幻电影《梦境》讲述了后人类时代人类借助AI(人工智能)重现逝者从而寄托情感的故事,深入探讨了后人类时期的人类与“人造他者”AI(人工智能)之间的关系,即AI(人工智能)在运用过程中所存在的风险与伦理问题。一方面通过影像呈现了未来人工智能代替人类情感的可能性,形成了科幻题材类型电影独特的伦理叙事范式;另一方面影片对不同年龄层人物进行影像书写,从四位委托者的不同视角来展现后人类时代人类与AI(人工智能)对于自身主体价值意义的追寻。其中有关人类实际存在的界定、人类情感与身体关系的隐喻、后人类时期人类主体定位等问题与现代共同体美学所蕴含的价值内涵不谋而合,即后人类时代人类必将走向人机和谐共存的共同体之路。The science fiction movie"Wonderland"tells the story of humans in the post human era using artificial intelligence(AI)to recreate the deceased to soothe their inner emotions.It makes an in-depth exploration into the relationship between humans in the post human era and the AI"artificial other",being concerned with the risks and ethical issues that exist in the application of AI.On the one hand,it presents through images the possibility of replacing human emotions by AI in the future,forming a unique ethical narrative paradigm for science fiction films;On the other hand,the film depicts characters of different age groups through visual writing,showcasing the pursuit of personal value and significance by humans and AI in the post human era from the perspectives of four clients.Among them,there are issues related to the definition of human existence,metaphors of the relationship between human emotions and bodies,the positioning of human subjects in the post human era.They coincide with the connotation of modern community aesthetics that in the post human era,humanity will inevitably move towards a community featuring the harmonious coexistence between humans and machines.

关 键 词：科幻电影 伦理叙事 身体隐喻 共同体美学 

分 类 号：J905[艺术—电影电视艺术]