陇山的微笑--麦积山石窟面容造像探究  

The Smile of Longshan Mountain--A Study on the Facial Statues in Maijishan Grottoes

作　　者：陈聪凯 Chen Congkai(Xi'an Academy of Fine Arts,Xi'an 710065)

机构地区：[1]西安美术学院,西安710000

出　　处：《新疆艺术学院学报》2024年第4期87-92,共6页Journal of Xinjiang Arts University

摘　　要：麦积山石窟面容造像风格各异,本文以麦积山石窟造像中133窟释迦会子、121窟正壁右侧北魏时期胁侍菩萨与弟子像、第133窟第9龛北魏小弥沙、第44窟主佛菩萨等石窟中的面容造像展开论述,分析麦积山石窟佛像微笑的造型艺术性以及石窟面容造像之间的艺术关联性。在当代语境下,麦积山石窟造像以特有的民族性和世俗性承载着佛像艺术审美,石窟面容造像以一种独特的思想观念和造型审美为当下艺术所思考。The style of facial statues in the Maijishan Grottoes varies from each other.This article elaborates on the facial statues in the Maijishan Grottoes such as the statue of Shakyamuni Meeting His Son in cave 133,the statue of Bodhisattva Staying with His Disciples on the right side of the main wall in cave 121 sculptured in the Northern Wei Dynasty,the statue of young monks of the Northern Wei Dynasty in cave 133,and the statue of Shakyamuni Staying with Bodhisattva in cave 44.Based on the exploration,the paper analyzes the artistic quality of the smiling Buddha statues in the Maijishan Grottoes and the artistic correlation among the facial statues.In the contemporary context,the statues of the Maijishan Grottoes display the aesthetic of Buddha statue art with their unique national and secular characteristics.With unique ideological concept and aesthetic of form,the facial statues in the grottoes attract the attention of current art.

关 键 词：麦积山石窟 造像 面容 微笑 

分 类 号：K879.3[历史地理—考古学及博物馆学]