中国传统服饰中的审美嬗变——以明代服饰审美中的藏与露为例  

The Aesthetic Development of Traditional Chinese Clothing--Illustrated by the“Concealment”and“Revelation”of Clothing Aesthetics in the Ming Dynasty

作　　者：张雪[1] 曹烨君[1] Zhang Xue;Cao Yejun(School of Fine Arts and Design,Hefei Normal University,Hefei 234000,China)

机构地区：[1]合肥师范学院美术与设计学院,安徽合肥234000

出　　处：《黑河学院学报》2024年第11期166-169,共4页Journal of Heihe University

基　　金：2022年合肥师范学院校级科研重点项目“徽州传统婚嫁服饰文化传承研究”(2022SKZD15);2019年安徽省教育厅人文社会科学重点研究项目“基于非物质文化遗产视角下的徽州古村落形态设计研究”(SK2019A0602)。

摘　　要：中国传统服饰审美是中华传统文化中独具特色的一部分,其中明代服饰的审美是其重要且具有特色的组成部分,对后期的服饰审美产生了深远影响。服饰中“藏”与“露”的关系是民族服饰时代特点及艺术的反映,将明代服饰的审美由外在的形制深化到内在的思想情感层面,也是自古以来人们服饰审美中对精神内涵的追求。The aesthetic appreciation of traditional Chinese clothing is a unique part of Chinese traditional culture.The clothing aesthetic in the Ming Dynasty,an important and characteristic part in traditional Chinese culture,has a profound infl uence on the clothing aesthetic in the later period.The“concealment” and“revelation”of clothing aesthetics in the Ming Dynasty can refl ect the characteristics of national costume art at that time,deepen the clothing aesthetic to the internal ideological and emotional level from the external form,and refl ect people’s pursuit of spiritual connotation in clothing aesthetic since ancient times.

关 键 词：服饰审美 藏与露 伦理 明代服制 

分 类 号：C912.4[经济管理]