在出走和离家之间--论丁玲早期小说中的家庭书写  

Between Running Away and Leaving Home--On Family Writing in Ding Ling’s Early Novels

作　　者：朱清如 ZHU Qing-ru(Minzu University of China,Beijing 100081,China)

机构地区：[1]中央民族大学文学院,北京100081

出　　处：《哈尔滨学院学报》2024年第11期68-72,共5页Journal of Harbin University

基　　金：2023年中央民族大学研究生科研实践资助项目,项目编号:SZKY2023082。

摘　　要：丁玲早期小说多以“五四”浪潮下勇敢冲出旧家庭的叛逆者为中心,形成了主人公为追求光明与个性“离家出走”的叙事模式。然而,在小说人物的“出走”和“离家”之间,往往存在着身体和精神、欲望和现实、过去和将来等种种裂隙和矛盾。立足于文本细读,通过解读丁玲早期小说中以父系、夫系、母系为主的三种家庭形态及其特征,有助于把握家庭在丁玲创作道路中的特殊地位和潜在影响。同时,引入社会史、丁玲家族史等多重视野,回到文学创作的历史现场,既是对其家庭书写的历史语境和时代记忆的探寻,也是重新反思并挖掘丁玲早期创作价值的有效视角。Ding Ling’s early novels often centered on rebels who bravely broke away from their old families during the May Fourth Movement,forming a narrative mode in which the protagonist“runs away from home”in pursuit of brightness and individuality.However,there are often various cracks and contradictions between the characters’“running away”and“leaving home”in novels,such as those between physical and mental aspects,desire and reality,and past and future.Based on a close reading of the text,interpreting the three main family forms and their characteristics in Ding Ling’s early novels,namely patrilineal,virilocal and matrilineal,can help grasp the special status and potential influence of the family in Ding Ling’s creative path.At the same time,introducing multiple perspectives such as social history and Ding Ling’s family history and returning to the historical scene of literary creation is not only an exploration of the historical context and historical memory of her family writing but also an effective perspective for reexamining and excavating Ding Ling’s early creative value.

关 键 词：丁玲 早期小说 家庭书写 出走和离家 

分 类 号：I247.5[文学—中国文学]