论陈染小说的“超性别写作”  

On the"Transgender Writing"in CHEN Ran′s Novels

作　　者：孔岩[1] 姚金霏 KONG Yan;YAO Jinfei(School of Literature and Journalism,Yan′an University,Yan′an 716000,China)

机构地区：[1]延安大学文学与新闻传播学院,陕西延安716000

出　　处：《洛阳理工学院学报（社会科学版）》2024年第6期66-70,共5页Journal of Luoyang Institute of Science and Technology：Social Science Edition

摘　　要：英国女性主义作家弗吉尼亚·伍尔夫的“双性同体”理念,作为一种独特的文学创作与批评视角,深刻影响了20世纪的文学观念。伍尔夫提倡的“双性同体”理念强调创作者融合男女特质,以达到全面的艺术表达。在中国现当代女性作家中,陈染的文学创作体现了她的“超性别写作”观念。陈染通过描绘性别角色的模糊界限、深入挖掘人物心理及采用创新叙事技巧,呼应了伍尔夫的“双性同体”理念,展现了文学中超性别身份的探索与表达。分析伍尔夫的“双性同体”理念与陈染的“超性别写作”理念,既为理解陈染的文学创作提供新的视角和思路,也为当下重新审视性别角色、理解双性个体差异提供理论支撑。The concept of"androgyny",advocated by Virginia Woolf,has been regarded as a unique perspective of literary creation and criticism,which put an emphasis on the merger of male and female traits in order to achieve a more holistic artistic expression and profoundly influenced the literature in the 20th century.Among contemporary Chinese female writers,CHEN Ran′s literary works embody the concept of"transgender writing",echoing Woolf′s"androgyny"by depicting the blurred boundaries of gender roles,digging deep into the psychology of characters,employing innovative narrative techniques and exploring the expression of transgender identity in literature.The purpose of this paper is to discuss Virginia Woolf′s theory of"androgyny"and CHEN Ran′s concept of"transgender writing",in order to provide new perspectives and ideas for understanding Woolf and CHEN Ran′s literary creations,and also provide ideological and theoretical support for re-examining gender roles and understanding the beauty of individual differences between genders.

关 键 词：弗吉尼亚·伍尔夫 双性同体 陈染 超性别写作 

分 类 号：I206.7[文学—中国文学]