宫崎骏动画的空中表现及意义构建  

The Aerial Representation and Meaning Construction of Hayao Miyazaki's Animation

作　　者：严俊松 Yan Junsong(University of Macao,Macao 999078,China)

机构地区：[1]澳门大学,中国澳门999078

出　　处：《艺术与设计（理论版）》2024年第11期106-110,共5页Art and Design

摘　　要：物理设定是动画创作的基石,它能使动画世界中角色与物体间、角色与角色间的联系成为可能。在有意识地将视觉形象转而代替真实情境的符号化与陌生化过程中,宫崎骏通过空中表现描绘着一个个千奇百怪的幻想世界。在物理设定的作用下,本身并不可察的空气状态和空间结构,在空中角色、物体等实体的状态变化、位置变化、形态变化中化为可知可感的情景和情境。宫崎骏以其深厚且广泛的灵感来源支撑起极富张力的空中表现荧幕舞台,不仅加强了动画设计的丰富性、表现性和可信度,也折射出他对现实世界的观察、担忧和希望。Real physics constructs the meaning and related properties of the world through human feelings,impressions,and memories.Physical settings are the cornerstone of animation creation,enabling connections between characters,between characters and objects,and even between objects in the animation world.Upon closer inspection of director Hayao Miyazaki's animated works,it is not difficult to find that the dynamic physical representation of people or objects in the air has always been one of his creative focuses.In the conscious process of symbolization and estrangement by replacing real situations with visual images,Hayao Miyazaki depicts a strange and fantastical world through aerial expression.The air state and spatial structure that are not visible themselves are transformed into perceptible and knowable entities through physical settings,such as changes in the state,position,and form of airborne characters and objects.And the profound and extensive sources of inspiration also support the screen stage of Hayao Miyazaki's aerial performances,not only enhancing the richness,expressiveness,and credibility of his animations,but also reflecting his observations,concerns,and hopes for the real world.

关 键 词：宫崎骏 空中 飞行 物理设定 风 

分 类 号：J904[艺术—电影电视艺术]