非遗视阈下的产品创新设计与展览传播——以云南鹤庆银器锻制工艺为例  

Product Innovation Design and Exhibition Communication under the Perspective of Intangible Cultural Heritage:A Case Study of Silverware Forging Techniques in Heqing,Yunnan Province

作　　者：齐超 Qi Chao(Central Academy of Fine Arts,Beijing 100102,China)

机构地区：[1]中央美术学院,北京100102

出　　处：《艺术与设计（理论版）》2024年第11期111-114,共4页Art and Design

摘　　要：我国列入联合国教科文组织非物质文化遗产名录项目总数位居世界第一,非遗项目是中华优秀传统文化重要载体,挖掘其文化价值,开展创新设计,将非遗融入当代生活,是对非遗项目保护和传承途径的重要探索。美术馆、博物馆等结合自身平台特性多角度立体展示非遗的活态性和丰富性,可提升公众对优秀传统文化的认知,关于非遗项目展览中的展陈结构和展览话语体系也成了展览平台的探索要点。China ranks first globally in the number of projects listed on the UNESco Intangible Cultural Heritage list.These projects are crucial carriers of China's excellent traditional culture.Exploring their cultural value and engaging in innovative design to integrate intangible heritage into contemporary life is a significant approach for its protection and transmission.Art galleries,museums,and other institutions can enhance public awareness of traditional culture by showcasing the vitality and richness of intangible heritage from multiple perspectives.The structure and discourse of exhibitions featuring intangible heritage become key areas of exploration for exhibition platforms.

关 键 词：非物质文化遗产 产品创新设计 展览推广 活态传承 

分 类 号：J526.1[艺术—艺术设计]