浅析基于鸾凤文化流变视角下鸾凤和鸣纹样的彩画表达  

Based on the Luan Phoenix Cultural Changes under the Perspective of Luan Phoenix and Ming Patterns of Color Painting Expression

作　　者：李玥 陈雳 Li Yue;Chen Li(School of Architecture and Urban Planningfor Beijing Universityof Civil Engineering and Architecture,Bejing 102627,China)

机构地区：[1]北京建筑大学建筑与城市规划学院,北京102627

出　　处：《艺术与设计（理论版）》2024年第11期121-123,共3页Art and Design

摘　　要：“鸾凤”是我国传统吉祥纹样中典型搭配,常见于官式建筑中做装饰纹样。据目前研究资料来看,“鸾凤”纹样研究主要集中于构图组合分析,对其朝代演替下的鸾凤文化流变的探究较少。文章将“鸾凤”的从神话传说的虚幻中解离出来重新置入中国文化背景中,通过古籍相关记载的归纳与整理,辅以文物实物进行佐证,梳理出鸾、凤文化流变发展脉络,再以承乾宫正殿“鸾凤和鸣”软天花纹样为例解析在建筑彩画独特的艺术表达。"Luan Feng"is a typical match in the traditional auspicious patterns of our country.It is often used as decorative patterns in official buildings.According to the present research materials,the study of"Luanfeng"pattern mainly focuses on composition analysis,and less on the evolution of luanfeng culture.The paper dissolves the"Luan Feng"from theillusion of myth and legend and puts it back into the Chinese cultural background,combing out the development of Luan and Phoenix culture,and then take the example of"Luan and Phoenix and Ming"soft sky pattern in the main hall of Chengqian Palace to analyze the unique artistic expression of architectural color painting.

关 键 词：彩画 鸾凤和鸣 吉祥纹样 

分 类 号：J59[艺术—艺术设计]