字绘吉祥:邳州民间花鸟字的视觉美学与文化传承考略  

Calligraphy and Painting of Auspiciousness:A Study on the Visual Aesthetics and Cultural Inheritance of Pizhou Folk Flower and Bird Calligraphy

作　　者：白易融 何靖 Bai Yirong;He jing(School of Media,Film and Television Jiangsu Normal University,Xuzhou 221000,China)

机构地区：[1]江苏师范大学传媒与影视学院,江苏徐州221000

出　　处：《艺术与设计（理论版）》2024年第11期128-131,共4页Art and Design

基　　金：江苏省研究生科研与实践创新计划项目:民间花鸟字数字化采集与再设计研究项目编号:SJCX24_1519;2023年江苏省高等教育教改研究立项课题:“地方非遗文化融入高校美育的机制与路径研究--以徐州市高校为例”项目编号:2023JSJG263。

摘　　要：民间花鸟字是一种将汉字与图形装饰结合的艺术形式,承载着丰富的吉祥文化与审美思想。这种艺术形式曾在江苏徐州地区广泛流行。文章以邳州(徐州市下辖市)花鸟字市级非物质文化遗产项目为研究对象,通过实地调研与文献查阅,归纳与整合邳州民间花鸟字的构造和视觉表现,深入探索其历史渊源、文化传承及吉祥观念。揭示出其图形符号的视觉美学特征及其创作的历史脉络与吉祥文化内涵,为大众认知民间花鸟字艺术形式和促进非遗文化的传承提供新视角。Folk Bird and Flower Calligraphy is an art form that combines Chinese characters with graphic decorations,carrying a rich national auspicious culture and aesthetic ideas.More than ten years ago,this art form was widely popular in Xuzhou,Jiangsu Province.Taking Pizhou Bird and Flower Calligraphy Municipal Intangible Cultural Heritage Project as the research object,the article summarizes and integrates the structure and visual expression of Pizhou Folk Bird and Flower Caligraphy,and explores its historical origin,cultural inheritance,and auspicious concepts in depth through field research and literature review.It reveals the aesthetic characteristics of its graphic symbols and the historical lineage and auspicious cultural connotations of its creation,providing a new perspective for the public to recognize the art form of folk bird and flower calligraphy and promote the inheritance of intangibleculturalheritage.

关 键 词：非遗 邳州花鸟字 吉祥文化 文字图形化 

分 类 号：J524[艺术—艺术设计]