《芥子园画传》对闽台地区纸扎人像造型影响研究  

Influence of Mustard Seed Garden Painting Biography on Styling of Paper Portraits in Fujian and Taiwan Regions

作　　者：任心妍 俞芳[2] REN Xinyan;YU Fang(Zhejiang Fashion Institute of Technology,Ningbo,Zhejiang 315000,China;Fujian Normal University,Fuzhou,Fujian 350117,China)

机构地区：[1]浙江纺织服装职业技术学院,浙江宁波315000 [2]福建师范大学,福建福州350117

出　　处：《龙岩学院学报》2024年第6期85-91,共7页Journal of Longyan University

基　　金：2021年度福建省社会科学规划项目(FJ2021B191)。

摘　　要：《芥子园画传》是清代以来广为流传的中国画技法书,深受画家、民间手工艺者的青睐,该书的人物卷全面概括了传统中国画人物造型的精髓。纸扎作为一种民间手工艺美术,特别注重人物造型的设计。在造型理念和具体步骤方法上,闽台纸扎都受到了《芥子园画传》人物卷的深刻影响。然而,学界对这方面的研究相对缺乏,系统性和深度尚有不足。闽台地区纸扎工艺与民间民俗生活紧密相联,总结《芥子园画传》人物卷对闽台地区纸扎工艺的影响和引领作用,不仅有助于提升纸扎工艺人物造型的生动性、多样性,也对弘扬我国优秀传统文化具有重要意义。Mustard Garden Painting Biography is a widely circulated Chinese painting technique book since the Qing Dynasty,greatly favored by painters,folk craftsmen,and numerous artists.The figure section of the book comprehensively summarizes the essence of traditional Chinese figure painting.Fujian-Taiwan paper-cutting,as a form of folk art and craft,places special emphasis on the design of figure shapes.In terms of conceptualization and specific procedural methods,Fujian-Taiwan paper cutting has been deeply influenced by the figure section of Mustard Garden Painting Biography.However,research in this area in academia is relatively lacking,and there is a lack of systematic and in-depth study.Currently,the craft of Fujian-Taiwan papercutting is still closely linked to folk customs and life.Therefore,summarizing the influence and guiding role of the figure section of Mustard Garden Painting Biography on the craft of Fujian-Taiwan paper-cutting not only helps enhance the vivid diversity of figure modeling in paper-cutting craftsmanship but also holds significant importance in promoting our country’s excellent traditional culture.

关 键 词：闽台文化 民俗文化 芥子园画传 纸扎 人物造型 

分 类 号：J528[艺术—艺术设计]