18世纪热贡唐卡所见汉藏美术交流--以噶日·班智达洛桑西绕绘画遗存为例  

The Exchange of Han-Zang Art Seen in the 18th Century Thangkas of Rebkong:Taking the Remains of the Paintings of sGa Ru Pandita Blo bZang Shes Rab as an Example

作　　者：更藏尖参 Kun bzang rGyal mtshan

机构地区：[1]青海师范大学,青海西宁810003

出　　处：《青海民族大学学报（社会科学版）》2024年第4期82-88,共7页Journal of Qinghai Minzu University：Social Sciences

摘　　要：18世纪著名画师噶日·班智达洛桑西绕对勉唐派绘画风格在热贡地区的传播作出了巨大的贡献。本文基于学界目前对该画师的研究,首先就其生卒年代及其名字中的“噶日”二字作进一步探究;其次爬梳噶日·班智达洛桑西绕个人传记中对其艺术创作历程的记载,就其现存典型作品与西藏诸画派及汉地绘画之关系展开分析。The 18-century famous painter Sga Ru Pandita made great contribution to the spread of Menri style painting in Rebkong area.Based on the current academic research on the painter,this paper further explores the age of his birth and death and the word“Sga Ru”in his name.Besides,the paper analyzes the relationship among his existing typical works,Xizang painting schools and Han paintings by reviewing the records of his artistic creation process in Ga Ru Pandita BlobZang Shes Rab’s biography.

关 键 词：噶日·班智达洛桑西绕 绘画作品 流派 艺术特征 

分 类 号：C95[社会学—民族学]