地域与音乐——从陕西筝曲探寻地域音乐文化  

Region and Music——Exploring Regional Music Culture from Shaanxi Zheng Music

作　　者：房润 FANG Run(Jiaxing Nanyang Polytechnic Institute,Jiaxing Zhejiang,314000,China)

机构地区：[1]嘉兴南洋职业技术学院,浙江嘉兴314000

出　　处：《文化创新比较研究》2024年第28期83-87,共5页Comparative Study of Cultural Innovation

摘　　要：美国著名音乐人类学家梅里亚姆认为“音乐就是文化”。音乐是文化的产物,每一种音乐形态离不开它背后的历史文化渊源,音乐之中也蕴含着深刻的文化内涵。同时,文化也需要音乐的承载与传承,音乐与文化之间紧密相关,一脉相连。陕西是筝乐发展的重要阵地,筝乐在不断地受到当地文化滋养的过程中,逐渐产生一批带有浓烈地域音乐文化风格的乐曲。陕西筝曲作为一种音乐形态有着地方特色,其乐曲风格也必然会反映出陕西一带的地域文化及历史脉络。该文以音乐人类学的学科思想为依托,从陕西极具代表性的筝曲中分析其音乐风格和演奏技法中蕴含的地域音乐元素,由此探寻陕西地区的地域音乐文化及历史渊源。The famous American music anthropologist Meriam believes that"music is culture".Music is the product of culture,and each music form cannot be separated from the historical and cultural origin behind it,and music also contains profound cultural connotation.At the same time,culture also needs the bearing and inheritance of music.Music and culture are closely related and connected.Shaanxi is an important position for the development of Zheng music.In the process of constantly being nourished by the local culture,it has gradually created a batch of music with strong music culture style of this region.As a form of music,Shaanxi Zheng music has local characteristics,and its music style will inevitably reflect the regional culture and historical context of Shaanxi Province.Based on the subject thought of music anthropology,this paper will analyze the regional music elements contained in the music style and performance techniques from the very representative Zheng music of Shaanxi Province,so as to explore the regional music culture and historical origin of Shaanxi Province.

关 键 词：陕西筝派 筝曲 陕西地区 戏曲音乐 西安鼓乐 陕北民歌 地域音乐文化 

分 类 号：J632.32[艺术—音乐]