A Study of the People’s Nature in Woodcuts During the Anti-Japanese War in Shanxi  

作　　者：ZHANG Tong-yuan 

机构地区：[1]Shanxi University,Taiyuan,China,030006

出　　处：《Journal of Literature and Art Studies》2024年第11期1032-1040,共9页文学与艺术研究（英文版）

摘　　要：The anti-Japanese woodcuts focus on the red revolutionary culture and describe the connotation of the Anti-Japanese War era,which is self-evident in the commemorative value of China’s revolutionary struggle history.For example,in Shanxi,China,woodcut art activities and social practice promotion activities organized around the theme of the Anti-Japanese War are also everywhere,which all show the people’s nature of the Chinese people during the revolutionary struggle from the two aspects of the red culture of the Anti-Japanese War and traditional art and culture,and its humanistic connotation is quite profound.In this paper,we first introduce the historical origin of woodcut during the Anti-Japanese War,and then show the people’s value connotation of woodcut art activities in Shanxi.This paper mainly discusses the image narration,language and picture narration and construction significance of woodcuts in Shanxi’s War of Resistance,fully reveals the narrative nature of image media,strives to arouse people’s recognition of this period of Shanxi’s War of Resistance culture and history,and reflects the realistic value and significance of Shanxi’s War of Resistance Woodcuts art activities.

关 键 词：people’s nature Shanxi anti-Japanese woodcarving image media narrative synergistic effect construction significance humanistic cultural identity 

分 类 号：J322[艺术—美术]