马克思文学批评观的初创——以《神圣家族》及相关文献梳理为依据  

On the First Creation of Marx’s View of Literary Criticism——Based on Die heilige Familie and related literature combing

作　　者：栾宏 李佳欣 刘晓勇 LUAN Hong;LI Jiaxin;LIU Xiaoyong(School of Marxism,Baoji University of Arts and Sciences,Baoji 721013,Shaanxi,China)

机构地区：[1]宝鸡文理学院马克思主义学院,陕西宝鸡721013

出　　处：《咸阳师范学院学报》2024年第6期108-114,共7页Journal of Xianyang Normal University

基　　金：教育部人文社会科学研究青年基金项目(18YJC710043)。

摘　　要：在《神圣家族》的第五章和第八章,马克思分析批判了欧仁·苏的小说《巴黎的秘密》和青年黑格尔派塞利加·维什努对这部小说的评论,这是青年马克思运用其初步形成的唯物史观进行文学批评的首次尝试,是马克思文学批评的“始发地”。马克思凭借对《巴黎的秘密》及其青年黑格尔派评论的批判,揭露了小资产阶级的文学创作观,超越了唯心主义的文学批评观,创立了现实主义的文学批评观。文学作品要站定唯物主义立场,要突出人民群众的作用和文学作品的社会功能,以及艺术性与政治性相统一等思想对马克思文学批评观的成熟发展具有历史作用。In the fifth and eighth chapters of Die heilige Familie,Marx analyzes and criticizes Les Mystères de Paris by the French writer Eugène Sue and the review of the novel by the young Hegelian Szeliga Vishnu,which is the first attempt of the young Marx to carry out literary criticism by applying his initially formed concept of materialist history,and it is the“birthplace”of Marx’s literary criticism.With his critique of Les Mystères de Paris and the young Hegelians,Marx exposed the petty-bourgeois view of literary creation,transcended the idealist view of literary criticism,and created the realist view of literary criticism,which involved the ideas that literary works should stand for materialism and highlight the role of the masses as well as the social function of literature,and unify artistry and politics,etc.This played a role in the maturation of Marx’s view of literary criticism.The mature development of the concept of literary criticism has played a historical role in carrying forward the past.

关 键 词：文学批评 《巴黎的秘密》 青年黑格尔派 马克思 《神圣家族》 

分 类 号：K234[历史地理—历史学]