基于两宋界画的古建筑鸱尾研究  

A study of Ancient Architectural Chi Wei Based on the Boundary Paintings of the Song Dynasties

作　　者：王锦华 张奕 王海若 Wang Jinhua;Zhang Yi;Wang Hairuo

机构地区：[1]连云港市开发区住建局 [2]武汉理工大学 [3]江苏海洋大学

出　　处：《古建园林技术》2024年第6期81-84,共4页Traditional Chinese Architecture and Gardens

摘　　要：两宋时期绘画高度发展,并以写实著称。本文从现存两千余幅宋代界画资料中整理出其中绘有建筑图幅约一百三十余幅,通过梳理分析其中对屋脊鸱尾部件详细刻画的九幅界画资料,谋求真实呈现两宋时期鸱尾的实貌、纹样构成及其制式变迁,指出其背后所包含的主观意图,并分析理解其功能意义。最终,基于研究结果意图了解两宋时期的审美倾向,同时也为当前两宋建筑保护与修复提供了一些参考。Painting was highly developed during the Song dynasty,and was renowned for its realism.This paper seeks to present a true picture of the actual appearance of the Chi Wei,the composition of the pattern and the changes in its form during the Song dynasties,to point out the subjective intentions behind them,and to analyse and understand their functional significance,by collating and analysing nine of the two thousand extant Song dynasty boundary paintings with detailed depictions of the Chi Wei.Ultimately,based on the results of the study,the intention is to understand the aesthetic tendencies of the two Song dynasties,while also providing some reference for the current conservation and restoration of the two Song dynasties.

关 键 词：鸱尾 屋脊 宋代建筑 界画 

分 类 号：K244[历史地理—历史学] J209.2[历史地理—中国史] TU-851[艺术—美术]