电视纪录片《李叔同》:融合新媒体技术的艺术创新之旅  

TV Documentary“Li Shutong”:A Journey of Artistic Innovation Incorporating New Media Technology

作　　者：邹妮娜 陈星[1] ZOU Nina;CHEN Xing(The Master Hongyi and Feng Zikai Research Institute,Hangzhou Normal University,Hangzhou 311121,China)

机构地区：[1]杭州师范大学弘一大师·丰子恺研究中心,浙江杭州311121

出　　处：《美育学刊》2024年第6期110-117,共8页Journal of Aesthetic Education

摘　　要：李叔同作为中国近现代艺术、美育的先驱者和佛门高僧,他的一生充满了传奇色彩,以他的人生事迹、艺术成就为蓝本创作的文艺作品比比皆是,而电视纪录片《李叔同》以全新的创作模式,突破了传统人文纪录片的局限,将真实的历史内容影视化,可谓融合新媒体技术的艺术创新之旅。以新媒体技术为切入点,对电视纪录片《李叔同》的诸多创新点进行分析,并从影视美学的维度出发,探讨其对李叔同美育思想的有效传播,可总结出其对人文纪录片发展的借鉴意义。As a pioneer of modern Chinese art and aesthetic education,and a Buddhist monk,Li Shutong's life was full of legendary colors.There were numerous literary works created based on his life stories and artistic achievements.The TV documentary“Li Shutong”broke through the limitations of traditional humanistic documentaries with a new creative mode,and turned real historical content into film and television,which can be described as an artistic innovation journey that integrates new media technology.Taking new media technology as the starting point,this paper aims to analyze the innovative points of the TV documentary“Li Shutong”and explore the effective dissemination of Li Shutong's aesthetic education ideas from the perspective of film and television aesthetics,so as to summarize its reference significance for the development of humanistic documentaries.

关 键 词：新媒体技术 电视纪录片《李叔同》 审美文化 

分 类 号：J952[艺术—电影电视艺术]