新主流电影英雄形象塑造的新突破与社会美育效能  

New Breakthroughs in Shaping Hero Images in New Mainstream Films and the Effectiveness of Social Aesthetic Education

作　　者：乔世华[1] 杨蕊茗 QIAO Shi-hua;YANG Rui-ming(School of Chinese Language and Literature,Liaoning Normal University;School of Film and Television Arts,Liaoning Normal University,Dalian 116081,China)

机构地区：[1]辽宁师范大学文学院 [2]辽宁师范大学影视艺术学院,辽宁大连116081

出　　处：《内蒙古大学学报（哲学社会科学版）》2024年第5期84-93,共10页Journal of Inner Mongolia University(Philosophy and Social Sciences)

基　　金：2022年度国家社会科学基金艺术学一般项目(项目批准号:22BC046)。

摘　　要：中国电影一直有塑造英雄的传统,而银幕英雄形象与时俱进的创新,更见证了电影艺术为时代“鼓与呼”的核心要义。新主流电影借由革命英雄人性化、超级英雄立体化、行业英雄多元化、平民英雄大众化、未来英雄智能化等多路径探索,不但通过电影观念上切近“人民英雄史观”的时代性表达,反映中国电影对英雄谱系的增量拓宽与可圈可点的新突破,更以淬炼新时代人民大众的向善向美、家国情怀、文化自信,构建天下大同的文化价值取向与人生审美追求,发挥着新主流电影社会美育的重要效能。Chinese films have always had a tradition of portraying heroes,and the innovative evolution of heroic images on the screen bears witness to the core essence of film art in"drumming up support and advocacy"for the times.Through exploring multiple paths such as the humanization of revolutionary heroes,the three-dimensional transformation of superheroes,the diversification of industry heroes,the popularization of civilian heroes,and the intelligence of future heroes,the new mainstream films not only reflect the contemporary expression of the"people′s hero view"in film concepts,but also reflect the incremental expansion and remarkable new breakthroughs of Chinese films in the hero lineage.They also temper the new era′s people′s pursuit of goodness and beauty,patriotism,and cultural confidence,and build a cultural value orientation and aesthetic pursuit of universal harmony,playing an important role in the social aesthetic education of the new mainstream films.

关 键 词：新主流电影 英雄形象塑造新突破 人民英雄史观 社会美育效能 

分 类 号：I235.1[文学—中国文学]