普罗诗歌的发生与日本诗学背景  

On the Occurrence of Chinese Proletarian Poetry and Its Japanese Poetics Background

作　　者：罗振亚[1] Luo Zhenya

机构地区：[1]南开大学文学院

出　　处：《天津社会科学》2024年第6期143-153,176,共12页Tianjin Social Sciences

基　　金：国家社会科学基金一般项目“中国新诗建构与日本影响因素关联研究”(项目号:15BZW136)的阶段性成果。

摘　　要：左翼诗歌诗学理论资源来自苏联和日本。大革命失败后中苏交流的阻滞和郭沫若、蒋光慈等倡导者多在日本的地缘因素,使中国普罗诗歌主要接受福本和夫、藏原惟人为代表的日本普罗文学理论和创作影响。从大众化的艺术取向,到写实主义的写法,再到大我的集体形象、鲜明的政治立场、红色鼓动的情调,都不无“借鉴”痕迹。只是“镜像”资源的“中国化”转换不力,模仿中对文学与政治的关系把握有所误差,造成了中国普罗诗歌明显的缺陷。The theoretical resources of Left-wing poetry originate from the Soviet Union and Japan.Due to the block of communication between China and the Soviet Union and the geographical factor that most advocates such as Guo Moruo and Jiang Guangci were in Japan,after the failure of the Great Revolution,Chinese Proletarian Poetry was mainly influenced by the literary theories and writings of Japanese Proletarian Poetry represented by Fukumoto Kazuo and Kurahara Korehito.From the popular artistic preference,to the realistic writing style,the collective self image,overt political positions,and agitational patriotic sentiment,all of them have traces of“reference”to the Japanese Proletarian Poetry.However,the sinicized transformation of“mirror image”resources was inadequate,and there were some inaccuracies when grasping the relationship between literature and politics during the imitation,which resulted in obvious flaws in Chinese Proletarian Poetry.

关 键 词：普罗诗歌 日本诗学 镜像 照亮 转换 

分 类 号：I106.2[文学—世界文学]