“写意”中的“去物质”——一种反思  

Dematerialization in Xieyi A Critical Reflection

作　　者： Michael Cavayero

机构地区：[1]北京大学艺术学院 [2]北京大学美学与美育研究中心

出　　处：《美术观察》2024年第12期22-26,共5页Art Observation

基　　金：2023年联合国教育、科学及文化组织“丝绸之路青年研究基金”UNESCO Silk Roads Youth Research Grant下,“心之泉源--丝绸之路沿线中古早期画论核心术语佛教源流研究”项目阶段性成果。

摘　　要：“写意”作为中国艺术的核心概念之一,兼具独特的审美意趣与文化内涵,但“写意”在传统与现代语境中所显示的模糊性,亦导致了后世的误读与滥用。因此,反思“写意”的真正内涵尤为重要。本文在梳理“写意”概念历史演进的基础上,挖掘了此前其意涵中被忽视的层面,通过与西方“观念艺术”(conceptualart)思潮中“去物质化”(dematerialization)核心概念的对话,重新审视“写意”在创作时的审美价值与艺术启示,亦以《鸡骨图》为例,探讨作品中“意”的具体表达方式。Xieyi,a central concept in Chinese art,embodies distinctive aesthetic qualities and profound cultural significance.However,its inherent ambiguity within traditional and modern contexts has led to frequent misinterpretations and misuse throughout history.Therefore,it is particularly important to reflect on the true connotation of Xieyi.This study seeks to critically reassess its fundamental aspects by tracing the concept's historical evolution and uncovering previously overlooked dimensions of its meaning.In dialogue with the modern concept of"dematerialization",a precursor to conceptual art,the study reexamines the aesthetic value and artistic insights that Xieyi offers in the creative process.Using the painting Fighting Cockerels(Jigu tu),this investigation also explores the specific ways in which Yi(idea,conception,intention)is expressed within the artwork.

关 键 词：写意去物质化 观念艺术 梁楷 《鸡骨图》 

分 类 号：J212[艺术—美术]