嘉靖刊《历代名画记》实为万历二年“王氏画苑”丛书本的“两重”补证  

The Combination of Two Pieces of Evidence Supports the Finding that the Jiajing Edition of Li Dai Ming Hua Ji is Actually the"Wang Shi Hua Yuan"Series In the Second Year of the Wanli Reign(1574)

作　　者：张啸东 Zhang Xiaodong

机构地区：[1]中国艺术研究院美术研究所

出　　处：《美术观察》2024年第12期60-69,共10页Art Observation

摘　　要：关于《历代名画记》嘉靖刊版本,清至民国书志对“行格半叶十一行”的明翻宋本的载述,证明叶德辉、傅增湘、缪荃孙等所述五种中同名子目的翻刻与宋版、同名子目诸翻刻间,均存版本字体、行格和文字的避讳、空格与“刊记”等七项基本相同的关联,推论:此五种丛目间,共存一个宋本原刊与五种同名明代翻刻间的延续与共存关系。另借姜公韬以及王重民等三家的论证,对应书志对“郧阳初刻”的载述与台北图书馆藏此初刻刊本的书影,确认该馆藏“画苑”之十一卷即前叶氏旧藏“汇刻九种”,贯通了此存世刊本实物与文献记载的关系,终确认《画苑》初刻在万历二年(1574),故此版《历代名画记》“或以为嘉靖刻者,未确也”。About the Jiajing edition of Li Dai Ming Hua Ji,records from the Qing Dynasty to the Republic of China of"half woodblock,eleven lines",which is Ming's reprint version of Song.The versions in these book series of Ye Dehui、Fu Zengxiang and Miao Quansun are mostly the same,which proves that among these five types of editions with the same name,including version font,line format and text taboos,spaces and publication notes.It can be inferred that there is a continuation and coexistence relationship between the original Song version and the Ming Dynasty editions of the five types of titles with the same name.In addition,relying on the arguments of Jiang Gongtao and Wang Chongmin,we have re-corresponded the description of Yunyang's first edition in the chronicle with its book shadow collected by the Taipei Library,and confirmed that the eleven volumes of the Wang's Painting Gallery in the collection were the Nine Types of Hui Ke collected by the former Ye Dehui.It has established the corresponding relationship between the existing physical objects and the documentary records.It was finally confirmed that Wang's Painting Gallery's first edition was made in the second year of Wanli."lt may be thought that it was carved in Jiajing,but this is not correct."

关 键 词：《历代名画记》 万历二年(甲戌) 郧阳初刻“王氏画苑”丛书 

分 类 号：J209.2[艺术—美术]