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作 者:顾浩 Gu Hao
机构地区:[1]扬州大学美术与设计学院
出 处:《美术观察》2024年第12期83-86,共4页Art Observation
基 金:2021年国家社科基金艺术学项目“中国传统彩塑工艺系谱及当代再生研究”阶段性成果,项目编号:21BG123。
摘 要:本文从专门史视角,在爬梳历史文献的基础上,试图阐释“传统彩塑”概念的源流和学理实质。经过梳理和分析认为,“传统彩塑”即狭义彩塑,秉承中国式“塑绘一体”原则,以泥土为原料,借助手工塑造,以三维立体形象为载体,呈现形态和色彩浑然天成的造型形式。“传统彩塑”概念的深层含义,包含分类和理解工艺系谱,即解读工艺划分的三大类:一是模具复制类,批量化生产,以“价廉物美”面向民间。二是小型单件手工类,脱胎于大型彩塑,凸显欣赏品和装饰品价值属性。三是大型单件手工类,为中国雕塑实物遗存主体。From the perspective of specialized history,the article tries to explain the origin and theoretical essence of the concept of"traditional colored sculpture"based on combining historical documents.After sorting out and analyzing,we believe that"traditional colored sculpture",i.e.,colored sculpture in the narrow sense,adheres to the principle of Chinese"plastic painting as a whole",takes soil as raw material,shapes it by hand,and takes a three-dimensional image as the carrier,presenting the form and color of the form of the shape of the natural form.The deeper meaning of the concept of"traditional colored sculpture"involves categorizing and understanding the genealogy of the craft,i.e.,deciphering the three main categories into which the craftis divided:First,the mold reproduction type,mass production,to"cheap and beautiful"to face the people.Second,the small single-piece handmade type,born out of the large painted sculpture,highlights the value of appreciation and decorative attributes.Third,the large single-piecehandmade type,for the main body of the physical remains of Chinese sculpture.
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