巫师、游牧民与赛博人——情境图式在展演空间设计中的创新性阐释  

Wizards,Nomads and Cybermen An Innovative Interpretation of Situational Schema in ExhibitionSpaceDesign

作　　者：孙金龙 栾一天 Sun Jinlong;LuanYitian

机构地区：[1]清华大学美术学院 [2]中央美术学院设计学院

出　　处：《美术观察》2024年第12期102-110,共9页Art Observation

基　　金：2023年度国家社科基金艺术学重大项目“国家文化数字化发展现状及策略研究”阶段性成果,项目编号:23ZD16。

摘　　要：文章以“情境”与“图式”的基本理论概念,总结定义了“情境图式”在展演空间设计中的创新性阐释。通过巫师、游牧民与赛博人的社会角色属性,有机地将“情境图式”在展演空间设计体系中进行三种角色模式的归纳,即巫师所扮演的角色具备精神性的感知,通过“神游”法事赋予中央集权;游牧民以部落为单位,在寻求其基本的生存模式时,采用“非线性”的移居路径;赛博人改变了人工智能数智化时代的交互方式,以高科技实现与人的深度互动。他们在不同维度的“情境”舞台空间中,以不同的角色各显神通。The article summarizes and defines the innovative interpretation of"situational schema"in exhibition space design based on the basic theoretical concepts of"situation"and"schema".Through the social role attributes of wizards,nomads,and cybermen,the"situational schema"is organically summarized into three role models in the exhibition space design system,namely,the role played by wizards has spiritual perception,and centralization is endowed through the"divine tour"ritual;Nomads adopt a"non-linear"migration path when seeking their basic survival mode on a tribal basis;Cybermen have changed the way of interaction in the era of artificial intelligence and digitization,achieving deep interaction with humans through high technology.They display their talents in different roles in diferent dimensions of the"situational"stagespace.

关 键 词：情境图式 空间设计 创新性阐释 巫师 游牧民 赛博人 

分 类 号：TU20[建筑科学—建筑设计及理论]