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作 者:张军 Zhang Jun
机构地区:[1]山西大同大学美术学院
出 处:《美术观察》2024年第12期131-133,共3页Art Observation
基 金:山西大同大学博士科研启动经费资助。
摘 要:赵维华的蛋彩画以媒介物性与绘画中的人性互动,在体悟人与自然真实关系的主体间性中建构艺术场域。自然与媒材互为主体,画家在蛋彩透明度、渗透性与不可逆绘画过程的矛盾调和中因势利导,形成现实主义绘画的自然生长范式。赵维华蛋彩画的隐秘性不仅流露出媒材本身的艺术气质,其祛主体化观念也通过作品的“显在”性持续接近艺术的本源。Zhao Weihua's tempera painting explores human nature through the interaction between media and their physical properties,constructing an artistic realm based on the intersubjectivity of the authentic relationship between humans and nature.Nature and media are intertwined,and painters skillfully navigate the complexities of tempera's transparency,permeability,and irreversible painting process,shaping a paradigm of natural growth in realism painting.The subtlety of Zhao Weihua's tempera paintings not only showcases the artistic qualities inherent in the medium,but also advances towards the essence of art through the"manifestation"of his works,which challenges traditional notions of subjectivity.
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