敦煌舞火焰纹绸技法与运用研究  

Technique and Application Study on Flame-Pattern Silk of Dunhuang Dance

作　　者：史敏[1] 秦堃洲 汤旖婷 SHI Min;QIN Kun-zhou;TANG Yi-ting(Beijing Dance Academy,Beijing 100081;Xi'an Conservatory of Music,Xi'an 710061,China)

机构地区：[1]北京舞蹈学院,北京100081 [2]西安音乐学院,西安710061

出　　处：《北京舞蹈学院学报》2024年第4期16-23,共8页Journal of Beijing Dance Academy

摘　　要：火焰纹绸舞作为敦煌舞特有的道具舞蹈形式之一,是当代人以敦煌壁画中的巾舞形象为蓝本,以中国古代巾舞相关的史料为支撑,对敦煌文化探索和创新的成果。火焰纹绸具有轻柔、多变、飘飞、灵动的特点,与敦煌壁画中那些持巾披帛、千姿百态的艺术形象极为契合,火焰纹绸舞体现出敦煌舞蹈文化兼收并蓄、包罗万象的价值取向。文章基于对火焰纹绸舞教学实践的探索研究,总结火焰纹绸舞的技法特点、运用规律,使火焰纹绸舞的教学内容进一步系统化、规范化。As one of the unique prop forms of Dunhuang dance,flame-pattern silk is a contemporary result of exploring and innovating Dunhuang culture based on the imagery of scarf dance from Dunhuang murals and supported by historical materials related to ancient Chinese scarf dance.Flame-pattern silk is characterized by its lightness,gracefulness,aliveness and various styles,which is closely aligned with the diverse artistic figures holding silk on Dunhuang murals,reflecting the inclusive and multifaceted value orientation of Dunhuang dance culture.Based on the flame-pattern silk teaching practice,this paper aims to summarize its technique characteristics and application rules,so as to further systematize and standardize the teaching content of flame-pattern silk.

关 键 词：敦煌舞 火焰纹绸 技法运用 

分 类 号：J712.2[艺术—舞蹈]