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作 者:骆世查[1] Luo Shicha
出 处:《新闻春秋》2024年第6期19-28,共10页Journalism Evolution
摘 要:媒介研究长久以来重视听、轻触觉,对触摸的理解也常见直觉式的生物性理解。本文指出,不存在纯粹无中介的感知,媒介研究需要对触摸历史及其文化形式做更丰富的经验性描述。据此,本文以触摸传感器为考古对象,探察触觉在被传感过程中的技术意涵与身体在触摸互动中的位置,及至此种触摸的社会效应。研究认为,电容触摸传感器在市场上胜过电阻、光学技术分支凸显了手与手指“影像”的崇高地位。相应的,执笔书写、鼠标操控、手指比划的姿态演化也为不同程度穿透屏幕奠定了重要的物质基础,与不断强调各类“手指动作”的技术条件同步发生的还有“书写”姿势的回归,昭示出中介化触觉在当今的不确定性。而指纹作为触摸界面的“装置”转化,则进一步折射出数字世界的安全隐忧。Medium studies have long emphasized the senses of hearing and made light of touching,while an intuitively biological understanding of touch is also prevalent.This paper argues that there is no such thing as purely unmediated perception,and that medium studies need to provide a richer empirical account of the history of touch and its cultural forms.Accordingly,this research uses touch sensors as archaeological objects and exploring the technological connotations of the sense of touch in the process of being sensed,and the position of the body in touch interactions,as well as the societal effects of such touch.The study concludes that capacitive touch sensors have outperformed resistive and optical technologies in the marketplace,emphasizing the primacy of the hand and finger “image”.Correspondingly,pen writing,mouse control,and finger gesture evolution have also laid an important material foundation for different degrees of penetration of the screen,and continue to emphasize the technical conditions of all kinds of “finger movements” occurring at the same time as the return of the “writing” posture,indicates the uncertainty of mediated touch today.The transformation of the fingerprint as a “device” of the touch interface further reflects the security concerns of the digital world.
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