图像学视域下徽州祖容像的艺术特征与文化意蕴  

Artistic Characteristics and Cultural Implications of Huizhou Ancestral Portraits from the Perspective of Iconology

作　　者：丁琴[1] DING Qin(School of Arts,Huangshan University,Huangshan 245041,Anhui)

机构地区：[1]黄山学院艺术学院,安徽黄山245041

出　　处：《阜阳师范大学学报（社会科学版）》2024年第5期149-156,共8页Journal of Fuyang Normal University：Social Science

基　　金：安徽省教育厅人文社会科学重点项目“多元主体参与下的徽州祖容像的保护与再生机制”(SK2020A0482);黄山学院徽文化重点项目“图像学视域下徽州祖容像的艺术研究”(2022xhwh003);黄山学院应用型教材建设项目“大学美育十讲”(2023yyjc11)。

摘　　要：徽州祖容像是中国传统肖像画的一种,具有较高的写实性,体现中国古代美术在明代及以后在人物造型方面的观念、能力与一般造型方法。在徽州人文地理环境的滋养下,明清时期的祖容像得到了空前的繁荣与发展。画工以程式化的作画方式塑造庄重典雅的像主形象,并通过装饰性色彩与淡雅的纹饰来建构独特的艺术特征。徽州地区宗族通过悬挂祖容像叩拜的形式祈求祖先显灵庇佑后代,彰显家族显贵的身份,以诚恳、崇敬、慎重的态度来呈现传统孝道伦理思想,是徽州地区特有的民间习俗文化,体现徽州人素朴的民俗信仰。Huizhou ancestral portraits,a type of traditional Chinese portraiture,exhibit a high degree of realism,reflecting the concepts,abilities,and general modeling methods of ancient Chinese art in portraiture during and after the Ming Dynasty.Nurtured by the humanistic and geographical environment of Huizhou,the ancestral portraits flourished and developed unprecedentedly during the Ming and Qing dynasties.Artists crafted solemn and elegant images of the portrait subjects through stylized painting techniques,establishing unique artistic characteristics through decorative colors and elegant patterns.The clans in Huizhou prayed for the spiritual intervention and blessings of their ancestors by hanging ancestral portraits and bowing to them,thereby demonstrating their aristocratic status and presenting traditional filial piety ethics with sincerity,reverence,and prudence.This is a unique folk custom culture in Huizhou,embodying the simple folk beliefs of the Huizhou people.

关 键 词：图像学 徽州祖容像 艺术特征 文化意蕴 

分 类 号：J2[艺术—美术]