早期现代社会的图书制作与制作者--以晚明《顾氏画谱》为中心的讨论  

Book Production and Creators in Early Modern China-Discussion Centered on Gu Shi Hua Pu

作　　者：杜松 Du Song

机构地区：[1]四川大学艺术学院

出　　处：《美术观察》2024年第10期45-58,共14页Art Observation

基　　金：2023年四川大学“从0到1”创新研究项目资助成果,项目编号:2023CX01。

摘　　要：《顾氏画谱》又名《历代名公画谱》,是明代万历年间刊印的一部版画集。与以往制作者仅书商、作者、绘稿和刻工(有的还有作序者)等数人而已的制作模式不同,该书的编辑群体多达百人,除书商、绘稿和刻工外,还有大量的进士、举人、地方官员、地方名流等参与。作为坊刻的商业出版物,该书提供了一个晚明群体制作商业书籍研究的范例。本文不关注版画作品本身,而是从书籍史角度,考证该书众多制作者的身份、该书制作中的协作和该书的制作过程,并将该书的制作和制作者置于早期现代社会的背景下讨论该书制作的意义。Gu Shi Hua Pu,also known as Li Dai Ming Gong Hua Pu,is a collection of woodblock prints published during the Wanli of the Ming Dynasry.Unlike the previous production model where only a few people such as booksellers,authors,artists,and engravers(some even have prefaces)were involved,the editorial team of this book reaches up to a hundred people,including booksellers,artists,as well as a large number of Jinshi,Juren,local officials,local celebrities.As a commercial publication of commercial publishing,this book provides an example of research on the production of commercial books in the late Ming.This article does not discuss the printmaking work itself,but rather explores the identities of the numerous creators of the book,the collaboration in its production,and the production process from the perspective of book history.It also discusses the significance of the book's production in the context of early modern China.

关 键 词：晚明 书籍制作 制作者 《顾氏画谱》 早期现代社会 

分 类 号：J217[艺术—美术] K248.3[历史地理—历史学]