当“我”遇见“我自己”--论日本当代艺术家森村泰昌“自画像的美术史”  

When"I"Meet"Myself"Study of the Art History of Self-Portraiture by Japanese Contemporary Artist Yasumasa Morimura

作　　者：乐丽君 潘力 Le Lijun;Pan Li

机构地区：[1]上海大学上海美术学院

出　　处：《美术观察》2024年第10期82-90,共9页Art Observation

摘　　要：日本艺术家森村泰昌(1951—)以自扮自演的手法对西方美术经典进行改头换面的模仿,并由此延伸至对大众文化和时代人物的表现。从美术经典到大众明星,无论是崇高的文明,抑或是通俗的文明,都被森村泰昌以自己的理解和手法加以改装,打破了美术或摄影所固有的“被观看”的本能,以此对强势的西方文明主导的世界秩序提出质疑,赋予了思考社会关系和人类文明的新视点。本文旨在通过梳理和研究森村泰昌艺术的发展脉络,提示战后日本美术既不是欧美潮流的简单重复,也不是传统风格的消极回归,而是基于自我的哲学立场,探寻具有现代日本个性的美术的可能性。Japanese artist Yasumasa Morimura(1951—)uses self-portrayal techniques to recreate and reinterpret Western art classics,extending his practice to depictions of popular culture and contemporary figures.From art masterpieces to popular celebrities,whether portraying high culture or popular culture,Morimura transforms these subjects with his unique understanding and approach.This challenges the inherent"to be viewed"nature of art or photography and questions the dominant world order led by Western civilization,offering new perspectives on social relationships and human civilization.This paper aims to outline and study the development trajectory of Morimura's art,suggesting that postwar Japanese art is neither a mere repetition of Western trends nor a passive return to traditional styles.Instead,it seeks the potential for a distinctly modern Japanese art based on an individual philosophical stance.

关 键 词：自画像 美术史 美术馆 女影星 安魂曲 

分 类 号：J405[艺术—摄影艺术]