试论川渝清中期至民国时期碑坊的装饰系统  

A Study on the Decorative Art and Cultural Function of Stele Pavilions in Sichuan and Chongqing from the Mid-Qing Dynasty to the Republic of China

作　　者：何雅闻 He Yawen

机构地区：[1]重庆师范大学美术学院

出　　处：《美术观察》2024年第10期94-96,共3页Art Observation

基　　金：2022年重庆市社会科学规划项目“川渝地区清代碑楼建筑装饰的图像生产与价值引导研究”课题阶段性成果,项目编号:2022BS095。

摘　　要：川渝清中期至民国时期的碑坊装饰艺术,以其独特的美学价值和民俗语意近年逐渐受到关注。一个值得关注的问题是,处于“湖广填四川”的特殊背景下,原本五方杂处、各随其俗的移民之间的修建的碑坊为何看上去具有一致的装饰系统,并形成颇具时代性、地域性的艺术风格。这些碑坊装饰艺术是当时促进移民交往、交流、交融的文化产物,通过各地移民共有的祖先崇拜观念,以“装修炫示—识图明理—记述点题”的装饰逻辑,构成表现各地移民共享文化符号的装饰系统,增进移民及其后代的中华民族共同体意识。The decorative arts of stele archways in Sichuan and Chongqing from the mid-Qing to the Republic of China have increasingly captured attention for their unique aesthetic value and folk symbolism.A question of concern is,in the special back groud of immigration from Huguang Fill Sichuan,the stele archways,originally constructed by diverse immigrants following their own customs,seemingly share a consistent decorative system and develop a distinctively temporal and regional artistic style.Based on extensive fieldwork and literature review,these stele archway decorative arts are seen as cultural artifacts that facilitated communication,exchange,and integration among immigrants.Leveraging a common ancestral worship among immigrants from various regions and employing a decorative logic of"ornamental display-interpreting patterns-narrating themes",they developed a system that expresses shared cultural symbols,thereby fostering a stronger sense of collective identity among immigrants and their descendants.

关 键 词：湖广填四川 碑坊装饰 共享文化符号 视觉形象 

分 类 号：TU-092[建筑科学—建筑理论]