文化共识视域下年画“升官图”的叙事主题与视觉表达  

The Narrative Theme and Visual Expression of the"Promotion Image"in New Year Paintings from the Perspective of Cultural Consensus

作　　者：张冬萍 Zhang Dongping

机构地区：[1]中央民族大学美术学院

出　　处：《美术观察》2024年第10期120-122,共3页Art Observation

基　　金：2023年度国家民委民族研究项目“民族手工业融合创新发展实践路径研究”课题阶段性成果,项目编号:2023-GMI-040。

摘　　要：自清代至20世纪60年代在全国流行一类独特的木版年画:“升官图”,其主题多样,图像表达遵循较一致的形式,并带有强烈的游戏性质。通过文献史料与图像资料的结合,对这类图像主题、产地、时期进行统计与对比,发现“升官图”通过其多元的视觉表征承担着形象建构的功能,传达着文化共识,构筑起中华民族文化共同体,并通过时代主题的转向顺应以视觉形象增强文化认同的需要。From the Qing Dynasty to the 1960s,a unique type of woodblock New Year painting called"Promotion Image"was popular throughout the country.The themes are diverse,and the image expression follows a relatively consistent form,with a strong gaming nature.By combining literature and historical materials with image materials,statistical and comparative analysis was conducted on the themes,origins,and periods of such images.It was found that the promotion image undertakes the function of image construction through its diverse visual representations,conveying cultural consensus,building the Chinese national cultural community,and respond to the need to enhance cultural identity through visual image by shifting the theme of the times.

关 键 词：木版年画 升官图 文化共识 

分 类 号：J218.3[艺术—美术]