雕塑民族化的探索--王丙召与人民英雄纪念碑之《金田起义》研究  

Exploration of the Nationalization of Sculpture-A Study of Wang Bingzhao and"The Jintian Uprising"of The Monumentto the People's Heroes

作　　者：高峰 Gao Feng

机构地区：[1]中央戏剧学院舞台美术系

出　　处：《美术观察》2024年第10期123-125,共3页Art Observation

摘　　要：1949年9月30日,建造人民英雄纪念碑的提案被中国政治协商会议第一届全体会议审议并通过,王丙召负责创作浮雕《金田起义》部分。作为中国第一批本土培养的雕塑家,在缺少大型纪念碑式浮雕创作的经验的情况下,如何在传承革命历史记忆的大型纪念碑雕塑中探寻雕塑语言的民族化,是王丙召等创作者必须面对的问题。在浮雕《金田起义》中,王丙召将传承自西方教学体系的雕塑语言与中国传统艺术语言相结合,将个人艺术语言与整体创作要求相结合,是近代雕塑民族化的重要尝试。On September 30,1949,the proposal to build The Monument to the People's Heroes was reviewed and adopted by the First Plenary Session of the Chinese People's Political Consultative Conference,with Wang Bingzhao being responsible for creating the relief sculpture of"Jintian Uprising".As one of the first locally trained sculptors in China,in the absence of experience in creating large-scale monumental relief sculptures,Wang and other creators had to confront the challenge of exploring the nationalization of sculptural language in monumental sculptures that inherit revolutionary historical memories.In the relief sculpture"Jintian Uprising",Wang Bingzhao integrated sculptural language inherited from the Western teaching system with traditional Chinese artistic language,and combined his personal artistic language with the overall creative requirements,marking an important attempt and breakthrough in the nationalization of modern sculpture.

关 键 词：纪念碑 金田起义 雕塑 民族化 

分 类 号：J312.2[艺术—美术]