从艺术交融到意象重生--中国剪纸动画片的美学构建(1958—2002)  

From Artistic Fusion to Imagery Rebirth-The Aesthetic Construction of Chinese Paper-cut Animation Films(1958-2002)

作　　者：高清雪 高清云 Gao Qingxue;Gao Qingyun

机构地区：[1]枣庄学院传媒学院 [2]潍坊学院传媒学院

出　　处：《美术观察》2024年第10期129-131,共3页Art Observation

摘　　要：自1958年中国第一部剪纸动画片《猪八戒吃西瓜》创作成功以来,中国剪纸动画逐渐走向成熟。剪纸动画从首创、发展到成熟,其间经历技术革新、时代洗礼,具有以“先锋”与“主流”的风格交融、歌颂时代群像风貌的主题叙写、基于意象重生的文化认同三大特色,助推“中国动画学派”作品走向巅峰。20世纪90年代以后,随着计算机技术的进步,动画开始转向数字化制作,动画创作形式也更加多样化。剪纸动画虽最终湮没于时代潮流变革中,却也为当代剪纸风格动画创作提供了可借鉴思路。Since the successful debut of China's first paper-cut animation film"Pigsy Eats Watermelon"in 1958,the realm of Chinese paper-cut animation has steadily evolved.From its inception,development,to full maturity,paper-cut animation has weathered technological advancements and the enduring test of time.It is characterized by a harmonious blend of"avant-garde"and"mainstream"styles,the thematic depiction of societal images of the era,and a cultural identity rooted in the"revitalization of imagery".These defining features have propelled the creations of the"Chinese animation school"to their zenith.Post-1990s,propelled by advancements in computer technologies,animation transitioned towards digital production,fostering a more diverse landscape of animated creations.Although paper-cut animation eventually waned amidst the evolving trends of the era,it continues to offer invaluable inspiration for contemporary adaptations in paper-cut styleanimation.

关 键 词：剪纸动画 中国学派 审美意象 文化认同 

分 类 号：J954[艺术—电影电视艺术] J528.1