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作 者:邰高娣 Tai Gaodi
机构地区:[1]中国艺术研究院美术研究所
出 处:《美术观察》2024年第11期60-68,共9页Art Observation
摘 要:随着国内学界和海外收藏机构的交流日益加深,越来越多收藏于海外的清代及民国时期的民间年画得以为国内学人所见,这些珍贵的资料对了解我国早期年画的技艺、断代、流布及纵深研究等均大有裨益。本文从美国三家博物馆收藏的陕西古版年画的来源、典型性、珍稀性等角度入手,通过文献佐证、图像分析等方法,结合国内藏品比较,力求勾勒出民国时期陕西年画生产与对外传播的清晰面貌。With the deepening of exchanges between domestic academia and overseas collection institutions,more and more folk New Year paintings from the Qing Dynasty and the Republic of China collected overseas can be seen by domestic scholars.These precious materials have great benefit to understanding the techniques,periods,distribution,and in-depth research of early Chinese New Year paintings.This article starts with the sources,typicality,and rarity of Shaanxi ancient New Year paintings collected by three museums in the United States.Through methods such as literature verification and image analysis,combined with a comparison of domestic collections,this paper aims to outline a clear picture of the production and external dissemination of Shaanxi New Year paintings during the Republic of China period.
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