他者认知与自觉建构--珠江沿岸港埠风景外销画(1757—1842)的视觉图式研究  

The Cognition of Others and Self-conscious Construction A Study on the Visual Schema of Export Paintings of Port Scenery along the Pearl River Coast(1757—1842)

作　　者：曾杨[1,2] 范思婕 Zeng Yang;Fan Sijie

机构地区：[1]四川音乐学院成都美术学院 [2]上海戏剧学院 [3]广州航海学院艺术设计学院

出　　处：《美术观察》2024年第11期69-71,共3页Art Observation

基　　金：2023年教育部人文社会科学研究规划基金青年项目“清代外销画中传统手工艺的图像叙事研究”阶段性成果,项目编号:23YJC760022。

摘　　要：在18世纪至19世纪清政府实施的“一口通商”政策下,广东港埠的繁华景象成为外销画的重要题材。这些外销画不仅融合了西方风景版画技法与中国山水画的布局,还借鉴了地志图像元素,形成了独特的符号景观。本文旨在探讨这些图像背后的社会、经济与文化驱动力,揭示外销画作为东西方视觉文化交汇产物的独特价值,及它在广东口岸普遍性图像概念形成中的重要作用,为理解近代中西文化交流提供新的视角。Under the"One Port Trade"policy implemented by the Qing government in the 18th and 19th centuries,the bustling scene of Guangdong ports became an important theme for export paintings.These export paintings not only integrate Western landscape printmaking techniques with the layout of traditional Chinese scroll landscape paintings,but also draw on geographical image elements to form a unique symbolic landscape.This article aims to explore the social,economic,and cultural driving forces behind these images,reveal the unique value of export paintings as a product of the intersection of Eastern and Western visual cultures,and their important role in the formation of the universal image concept at Guangdong ports.It provides a new perspective to understanding the cultural exchange between China and the West in modern times.

关 键 词：外销画 通商口岸 消费文化 

分 类 号：J209.2[艺术—美术] K249[历史地理—历史学]