黄胄早年的新疆题材绘画探索  

Huang Zhou's Early Exploration of Xinjiang-themed Paintings

作　　者：崔少雷 Cui Shaolei

机构地区：[1]上海大学上海美术学院

出　　处：《美术观察》2024年第11期98-100,共3页Art Observation

摘　　要：黄胄的新疆题材绘画探索,始于1948年的“新疆旅行写生”,经过长期实践,至20世纪50年代末实现了对这一题材的成熟表现。正是在此过程中,随着题材的激发与生活体验的深化,黄胄的笔墨技法得以逐步完善,其个性化风格也得以生成与建构。题材探索与风格建构之间的内在关联性,一直贯穿于他的实践历程之中,却未得到人们的充分关注。本文借助形式分析的方法揭示这种关联性,一方面,有助于理解黄胄早年艺术语言的生成机制和演进规律;另一方面,则可以为解决当下美术创作中的一些具体问题提供思路。Huang Zhou's exploration of Xinjiang-themed paintings began with his"Xinjang Travel Sketching"in 1948.By the end of the 1950s,he had achieved mature expressions of this theme after practicing for a long time.It was during this process that,with the stimulation of the subject and the deepening of life experience,Huang Zhou's techniques of brush and ink were gradually improved,and his personalized style was generated and constructed.The inherent correlation between subject exploration and style construction has been penetrated throughout his practice,and has not attracted sufficiently people'attention.However,revealing this correlation with formal analysis can help people understand the generation and evolution of Huang Zhou's early artistic language.What's more,it can provide inspiration for solving some specific art problems in the contemporary era.

关 键 词：黄胄 新疆题材 艺术语言 生活 

分 类 号：J205[艺术—美术]