物我通悟 心墨相和--姬子的墨道山水  

Mind and Inkare in Harmony--Ji Zi's Tao of Ink Landscape Painting

作　　者：谷品桥 Gu Pinqiao

机构地区：[1]长春师范大学美术学院

出　　处：《美术观察》2024年第11期136-138,共3页Art Observation

摘　　要：在今天的语境之下,水墨绘画一方面需要对水墨这一传统的艺术形式进行继承与重思,另一方面需要在外部多重的文化冲击之下,以更加契合时代的姿态予以一定回应。如何重研水墨艺术的传统又在今日有所新开拓,则需要对水墨中始终蕴含的精神性给予更多的挖掘。这种对于水墨精神的探索贯穿着姬子先生的一生,体现于他立足传统、放眼现代、根植东方、学研西方的创作之中。In today's context,on the one hand,ink painting needs to inherit and rethink the traditional art form of ink painting;on the other hand,it needs to respond to the multiple external cultural impacts with a more appropriate attitude to The Times.How to re-study traditional art of ink painting and make new development in today,we need to give more exploration to the spirit always contained in ink painting.This kind of exploration of ink painting spirit runs through Ji Zi's life,which is reflected in his creation based on tradition,looking to the modern,rooted in the East,and studying the West.

关 键 词：姬子 笔墨 水墨精神 

分 类 号：J212[艺术—美术]