意义的多模态协作构建——对《赤壁》三个经典情节的解读  

Collaborative construction of meaning by modes:An interpretation of three episodes of Red Cliff

作　　者：王永赟[1] 范中英 WANG Yongyun;FAN Zhongying(College of Foreign Languages,Fujian Normal University,Fuzhou 350007,P.R.China)

机构地区：[1]福建师范大学

出　　处：《外国语言文学》2024年第4期41-53,70,134,共15页Foreign Language and Literature Studies

摘　　要：电影解读是电影完成“制作方—消费者—制作方”信息传播完整闭环的重要环节,也是开展电影相关研究的第一步。多模态批评话语分析相关理论和分析手段从微观层面揭示模态表征的意义、模态间互动及模态与语境的互动,挖掘话语背后的权力与意识形态等社会因素,减少了电影解读的主观性问题。对电影《赤壁》中三个经典情节的分析揭示了多模态符号如何协作构建意义、为观众呈现出别样的“三国故事”。Film interpretation is an indispensable link of the information exchange between producer and audience and the first step of film studies. Multimodal critical discourse analysis(MCDA) of film helps reduce the subjectivity, with which film interpretation used to be obsessed, by revealing, at the micro-level, what is represented by modes, how meaning is constructed in the interaction between modes and contexts in an event, and what are the social factors(power, ideology, etc.) behind. In line with MCDA, this study examines three episodes in Red Cliff directed by Wu Yusen to show how meaning are constructed collaboratively by modes to present a story of “Three kingdoms” that varies from the traditional.

关 键 词：多模态批评话语分析 电影解读 《赤壁》 

分 类 号：H0[语言文字—语言学]