论米沃什对艾略特“荒原风”的接受与修正  

On Milosz’s Reception and Revision of Eliot's"Style of The Waste Land"

作　　者：熊焕颖 XIONG Huanying

机构地区：[1]桂林学院人文学院,广西桂林541006 [2]中国人民大学文学院,北京100872

出　　处：《外国语文》2024年第6期90-99,共10页Foreign Languages and Literature

基　　金：广西高校中青年教师科研基础能力提升项目“生态神学视野下的米沃什诗歌研究”(2019KY0996)的阶段性成果。

摘　　要：2022年是大诗人艾略特的《荒原》出版一百周年,这首诗在欧美乃至世界诗坛产生了巨大而深远的影响。而20世纪重要的诗人米沃什早年因为翻译《荒原》而受到艾略特诗风的影响,尤其是他在二战后出版的诗集《拯救》在诗歌意象、创作手法、诗学观念等方面皆不同程度受到艾略特的影响。但米沃什并非亦步亦趋地模仿艾略特,而是凭借自身的天赋和创造力抵抗来自艾略特的“影响的焦虑”,修正和克服了艾略特现代主义诗歌中的某些“不合理因素”,并由此逐渐形成了属于自己的独特诗歌风格。The year 2022 marks the centenary of the publication of T.S.Eliot's The Waste Land,which has exerted a great influence on western and global poetry and its studies.Czeslaw Milosz,an important poet of the 2oth century,was early influenced by Eliot's poetic style through his translation of the Waste Land.And the influence is embodied in the poetic image,creation technique and poetic concept of his poetry collection Rescue published after the World War Ⅱ.However,Milosz did not imitate Eliot completely.Instead,he resisted the"anxiety of influence"from Eliot with his talent and creativity,corrected and overcame some unreasonable factors in Eliot's modernist poetry,and gradually shaped his own unique style of poetry.

关 键 词：米沃什 艾略特 “荒原风” 现代主义 影响的焦虑 

分 类 号：I712.072[文学—其他各国文学]