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作 者:张向阳[1] 李道兴 Zhang Xiangyang;Li Daoxing(Huanghe Science&Technology College,Zhengzhou City,Henan Province,450063;China Society of Territorial Economists,Beijing,101100)
机构地区:[1]黄河科技学院,河南郑州450063 [2]中国国土经济学会,北京101100
出 处:《黄河科技学院学报》2024年第12期14-18,23,共6页Journal of Huanghe S&T College
摘 要:“钧文化”是夏王朝的主流文化,源于今河南中西部地区,具有明显的文化地理位置标识,蕴含华夏民族重要的思想观念和政治意识,一直在传承发展。“钧文化”的钧地观是中原文化“中原”概念的肇始,钧天观是远古人类宇宙自然认知的重要阶段,“钧”之节律观与中原农耕文明相伴而生,“钧台之享”是中原王权政治制度的发端,钧天广乐是华夏民族礼乐制的先声,钧瓷是钧文化传承与创新的重要载体。“Jun culture”is the mainstream culture in the Xia dynasty,and it originates from the central and western regions of Henan province.It has the obvious marker of cultural and geographical location,and contains the important ideas and political consciousness of the Chinese nation,which has been continuously inherited and developed.In the“Jun culture”,its view of the ground is the beginning of the concept of“central plain”in the central plain culture,its view of the heaven is an important stage of the ancient people’s cognition of the universe and nature,and its view of the rhythm is created accompanying the farming civilization in the central plain.“The worship in Jun terrace”is the beginning of the political system of the royal power in central plain,“the grand music from the Jun heave”n is the harbinger of the Chinese nation’s ritual music system,and Jun porcelain is an important carrier of the inheritance and innovation of Jun culture.
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