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作 者:范学新 郝雨晴 FAN Xuexin;HAO Yuqing(Academy of Chinese Language and Literature,YiLi Normal University,YiNing 835000,China)
机构地区:[1]伊犁师范大学中国语言文学学院,新疆伊宁835000
出 处:《浙江师范大学学报(社会科学版)》2024年第6期36-44,共9页Journal of Zhejiang Normal University(Social Sciences)
基 金:新疆维吾尔自治区社科基金专项项目“铸牢中华民族共同体意识的网络阵地建设研究”(22VZX003);伊犁师范大学创新团队计划项目“中华民族共同体意识视域下的西域文学与文献创新研究”(CXSK2021013)。
摘 要:《中国奇谭》以其独特的民族风格宣告了对“中国动画学派”的致敬与回归。对中国志怪文学的借鉴运用、对中国美学元素的新颖呈现、对中国情感主题的唯美表达、对中国美术动画的传承创新,共同造就了其特色鲜明的中国艺术范式。其对中国志怪文学的运用在内化中蕴含新思,使故事内核深有意趣;对中国美学元素的再度发掘与阐释包括美术、音乐、民俗三方面,体现了对传统文化的保护和重视;对中式情感主题的抒发细致入微,既有对传统生活的温情叙旧,又有对生命人性的含蓄思考,引起了大众的强烈共鸣;对中国美术动画的传承创新,在继承20世纪美术动画工艺品种的基础上,又融合了新世纪艺术经验的有益尝试。With its unique national style,Yao-Chinese Folktales declared a tribute and return to the“Chinese animation School”.The application of Chinese ghost stories,the new presentation of Chinese aesthetic elements,the aesthetic expression of Chinese emotional themes,and the inheritance and innovation of Chinese animation have jointly created its distinctive Chinese art paradigm.Its application of Chinese ghost stories contains new thoughts in the internalization,which makes the core of the story profound and interesting.The re-exploration and interpretation of Chinese aesthetic elements includes art,music and folklore,which reflects the protection of and attention to traditional culture.The expression of the Chinese emotional theme is exquisite,with both warm reminiscence of traditional life and implicit thinking about life and humanity,which has aroused strong resonance among the public.The inheritance and innovation of Chinese art animation,on the basis of inheriting the art animation of the last century,also integrates the beneficial attempt of the art experience of the new century.
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