汪曾祺与桐城派古文  

Wang Zengqi and Tongcheng School of Ancient Prose

作　　者：熊修雨[1] XIONG Xiuyu

机构地区：[1]北京师范大学文学院

出　　处：《中国政法大学学报》2024年第6期288-304,共17页Journal Of CUPL

基　　金：国家社科基金“汪曾祺写作与中国文章学传统关系研究”(20BZW168)阶段性成果。

摘　　要：汪曾祺自幼受过系统的桐城派古文教育,桐城派古文对其影响深刻。汪曾祺对桐城派古文的接受,主要是在文体观念方面,他的文体观念与桐城派密切相关,几乎可以说他是桐城派文论在当代的传人。桐城派是一个带有地域特征的文学流派,以安徽桐城为中心,代表人方苞、刘大魁、姚鼐等人都来自安徽桐城,有着相近的文体理论主张,桐城派文论是成熟的中国本土文艺理论体系。归有光是桐城派重要的外围作家,对汪曾祺影响最大。“文气”论是桐城派文体理论的核心,汪曾祺非常推崇,亲身实践,大力倡导,让其在当代文坛重放光彩。Wang Zengqi was systematically educated in Tongcheng School of ancient writing since his childhood,which,had a,profound influence on him.Wang Zengqi's acceptance of the ancient prose of Tongcheng School mainly lies in the concept of style,which is closely related to the Tongcheng School.It can be said that he is the contemporary successor of the theory of Tongcheng School.Tongcheng School is a literary school with regional characteristics,with Anhui Tongcheng as the center,representative Fang Bao,Liu Dakui,Yao Nai and other people are from Anhui Tongcheng,with similar stylistic theory,Tongcheng School is a mature Chinese local literary theory system.GUI Youguang is an important peripheral writer of Tongcheng School and has the greatest influence on Wang Zengqi.The theory of“tone of prose”is the core of the stylistic theory of Tongcheng School.Wang Zengqi highly praises it,practices it personally,and advocates it vigorously,so as to make it shine again in the contemporary literaryworld.

关 键 词：汪曾祺 桐城派 “文气”论 文体 

分 类 号：I207.42[文学—中国文学] I206.2