电影分镜头脚本创作的视觉叙事策略探析  

Analysis on the Visual Narrative Strategies of Film Storyboard Creation

作　　者：芦杨 Lu Yang(Hubei College of Arts)

机构地区：[1]湖北艺术职业学院

出　　处：《写作》2024年第6期111-118,共8页Writing

摘　　要：电影分镜头脚本作为电影制作的重要依据,为电影的拍摄和后期制作提供了明确的指导,其创作过程实质为剧本文字转换为图像的视觉化过程。然而,学界对电影分镜头脚本创作的视觉叙事策略的论述却相对匮乏。有鉴于此,遵循宏观至微观的演绎逻辑,以《寄生虫》为研究个案,从造型空间的建构、画面秩序的塑造和色彩语言的配置三个方面展开论述。其中造型空间表现为现实空间与象征空间,画面秩序划分为单一构图与连续构图,色彩配置呈现为常规原则与陌生化手法。通过丰富的细节分析,或可为具体的电影分镜头脚本创作提供更加有效的指导,促进读者思索电影制作过程中的文图转换。As an important part of film production,film storyboard provides clear guidance for the shooting and post-production of film.And its creation process can be understood as a visualization process,wherein textual elements are transformed into visual imagery.Despite the importance of this process,academic research on the visual narrative strategies involved in film storyboard creation is relatively scarce.By a case,Parasite(2019)this study adopts a macro-to-micro analytical framework to explore its three key aspects:the construction of spatial elements,the organization of visual sequences,and the selection of color language.Spatial construction is examined in terms of both literal and symbolic spaces.Visual organization is categorized into single compositions and continuous sequences,while color selection is analyzed through conventional principles and techniques of defamiliarization.Through comprehensive details,this research aims to offer valuable insights into effective film storyboard creation and facilitate a deeper understanding of the translation from text to image.

关 键 词：电影分镜头脚本 《寄生虫》 造型空间 画面构图 语言色彩 

分 类 号：J905[艺术—电影电视艺术]