吕高诗风的转变及其文坛地位评价--以《江峰漫稿》为中心  

The Turn of Lv Gao’s Poetry and Evaluation of His Literary Status--Focusing on the Jiangfeng Manuscript

作　　者：张少锋 ZHANG Shao-feng(Jinan University,Guangzhou 510632,China)

机构地区：[1]暨南大学,广东广州510632

出　　处：《扬州教育学院学报》2024年第4期25-30,共6页Journal of Yangzhou College of Education

摘　　要：吕高曾在嘉靖十年前后,与王慎中、唐顺之、李开先、任瀚等八人在京城唱和酬答,名动士林,时称“嘉靖八才子”。吕高前期对诗歌研究颇深,诗歌取法对象上及汉魏、六朝,下延中唐,对“前七子”复古进行了一定程度的革新;后期因难以摆脱复古所带来的程式化困境,转而投向对科举制艺的研究,追求文章的法度及义理表达。吕高的《江峰漫稿》呈现出文学观念的转变,对考察明中期士子的思想具有重要的价值。Around the 10th year of Jiajing,Lv Gao exchanged poetry and literary ideas with Wang Shenzhong,Tang Shunzhi,Li Kaixian,Ren Han,et al in the capital city and made their names,later known as“The Eight Talented Scholars in Jiajing reign”.In his early years,Lv Gao made significant efforts to explore the literary styles of the Han,Wei and Six Dynasties as well as the mid-Tang Dynasty.He also introduced certain innovations to the Retro Movement by the“Former Seven Litterateur”.Failing to break free from stylistic constraints imposed by traditional forms in his late years,Lv turned his attention towards studying the form of imperial examinations,focusing more on the structure and meaningful expression in writing.Jiangfeng Manuscript,the only surviving work by Lv Gao,reflected this transformation of his literary ideas,and is of great value in studying the ideas of scholars in the mid-Ming Dynasty.

关 键 词：吕高 《江峰漫稿》 嘉靖八才子 唐宋派 文坛地位 

分 类 号：I207.227[文学—中国文学]