民国彩色电影技术在《生死恨》中的探索与应用  

Exploration and Application of Color Film Technology in the Republic of China:A Case Study of Regrets of Life and Death

作　　者：胡潜龙 HU Qian-long(Shanghai Jiao Tong University,Shanghai 200030,China)

机构地区：[1]上海交通大学,上海200030

出　　处：《扬州职业大学学报》2024年第4期52-57,共6页Journal of Yangzhou Polytechnic College

摘　　要：通过文献研究法,整理中英文报章杂志、电影技术文档,追踪民国时期电影人士在西方彩色片输入的背景下开展的彩色电影技术探索。以中国最早的有声彩色电影《生死恨》为例,系统分析电影人颜鹤鸣在引进、吸收、应用多层乳剂彩色片技术方面的成果及存在的缺陷,并总结该时期电影技术引进的一些特征,以期丰富学界对于国内早期电影技术史的研究。Through literature review of Chinese and English newspapers,magazines,and film technical documents,this study traces the exploration of color film technology by filmmakers during the Republican period in the context of the introduction of Western color films.Taking China’s earliest sound color film,Regrets of Life and Death,as an example,it systematically analyzes the achievements and shortcomings of filmmaker Yan Hemin in introducing,absorbing,and applying multi-layer emulsion color film technology.Furthermore,it summarizes some characteristics of film technology introduction during that period,with the aim of enriching academic research on the early history of film technology in China.

关 键 词：民国电影 彩色电影技术 《生死恨》 颜鹤鸣 

分 类 号：J909.2[艺术—电影电视艺术] J905