论毕飞宇小说“疯癫”形象及其对传统进行解构的意味  

On “Madness” Images in Bi Feiyu’s Novels and Their Deconstructive Significance to Tradition

作　　者：张宁 刘颖慧 ZHANG Ning;LIU Yinghui(College of Literature,Changchun Normal University,Changchun,Jilin 130032,China)

机构地区：[1]长春师范大学文学院,吉林长春130032

出　　处：《开封文化艺术职业学院学报》2024年第6期50-54,共5页Journal of Kaifeng Vocational College of Culture & Art

摘　　要：毕飞宇的创作既关注时代中的社会问题,也关注人的心灵与精神状态。他用特殊视角观察以“疯癫”为代表特定人群,揭示其生存状态。通过对毕飞宇小说中人物的“疯癫”形态进行梳理,从农村、城市两个方面展开对“疯癫”形象的深度解读,并用后现代主义理论阐释“疯癫”形象,揭示出毕飞宇文学创作的深刻意义。Bi Feiyu’s literary creations attach importance to both social issues of the times and people’s mental and spiritual states.He observes a specific group representing“madness”from a special perspective and reveals its living conditions.By examining the forms of“madness”which are shown by the characters in Bi Feiyu’s novels,this paper conducts an in-depth interpretation of“madness”images from both the countryside and the city,and explains them with the help of postmodernism theory,thus revealing the profound significance of Bi Feiyu’s literary creation.

关 键 词：毕飞宇 “疯癫”形象 传统 解构 

分 类 号：I207.42[文学—中国文学]